{"id":368001,"date":"2025-03-10T12:10:21","date_gmt":"2025-03-10T12:10:21","guid":{"rendered":"https:\/\/germany.10magazine.com\/valentino-ready-to-wear-aw25\/"},"modified":"2025-03-15T13:21:50","modified_gmt":"2025-03-15T13:21:50","slug":"valentino-ready-to-wear-aw25","status":"publish","type":"post","link":"https:\/\/germany.10magazine.com\/de\/valentino-ready-to-wear-aw25\/","title":{"rendered":"Valentino: Ready-To-Wear AW25"},"content":{"rendered":"
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\u201cAre we in the bathroom at DC10?\u201d Asked one confused editor. No, it was the setting of the Valentino<\/a> show. The bougie brand was slumming it for AW25. <\/span><\/p>\n

Alessandro Michele certainly knows how to spring a surprise. His show was immersive, like a theatre experience.\u00a0<\/span>In a Narnia-like transition, we left the bustle and traffic of Paris behind, passed through a toilet stall and stepped into the show space, styled like a huge unisex public toilet. The designer\u2019s set re-created the kind of soulless white tiled bathrooms that exist the world over (thankfully without the graffiti or the smell) in airports train stations and large music venues.<\/p>\n

Bathed in Valentino red light the setting was, said the designer, deliberately \u201cdystopian, disturbing, Lynchian space.\u201d He\u2019s clearly intent on shaking this brand out of its boogie comfort zone. But w<\/span>hy a toilet? Michele called it \u201ca counter place\u201d where public and private co-exist.<\/p>\n

Once the music got started it felt like we were in the unisex toilets of a mega club with all manner revellers passing through.\u00a0<\/span>Some in high waisted trousers with sweaters tucked in and carrying roomy bags, looked like they\u2019d come straight from the office to the party. Others in gold flounced gowns or flared jeans and a little knotted chiffon bustier were party ready. And there were also a few party casualties, emerging from their toilet cubicles into the show space with the poppers on their lace body suits still undone.\u00a0<\/span><\/p>\n

Michele didn\u2019t hold back, serving a cacophony of looks, including a Vans<\/a> collaboration. He era hopped the ’60s and ’70s, zeroing in on beaded gowns and fake fur trimmed suits. Power shouldered cocktail dresses and jackets threw it back to the opulent 1980s. There were references to his own evolving Valentino language; a fully sequinned gown with a cat motif that echoed the cute little viral cat bag of his ready to wear debut as well as\u00a0 harlequin gowns and dresses that echoed his grand couture debut. All the best parties end up in the bathroom.\u00a0<\/span><\/p>\n

Photography by Christina Fragkou.<\/em><\/p>\n

valentino.com<\/a><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

\u201cAre we in the bathroom at DC10?\u201d Asked one confused editor. No, it was the setting of the Valentino show. 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