{"id":368443,"date":"2025-05-23T22:52:29","date_gmt":"2025-05-23T20:52:29","guid":{"rendered":"https:\/\/germany.10magazine.com\/?p=368443"},"modified":"2025-05-25T12:31:05","modified_gmt":"2025-05-25T10:31:05","slug":"cartier-crafts-a-rosary-for-film-director-wes-andersons-the-phoenician-scheme","status":"publish","type":"post","link":"https:\/\/germany.10magazine.com\/de\/cartier-crafts-a-rosary-for-film-director-wes-andersons-the-phoenician-scheme\/","title":{"rendered":"Cartier crafts a rosary for film director Wes Anderson’s ‘The Phoenician Scheme’"},"content":{"rendered":"
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Between the monochromatic palettes and signature symmetry of film director Wes Anderson\u2019s latest offering emerges a tenderness reminiscent of vulnerable moments from his acclaimed early-career works <\/span>The Royal Tenenbaums<\/span><\/i> and <\/span>The Darjeeling Limited<\/span><\/i>. The plot of <\/span>The Phoenician Scheme<\/span><\/i> follows the tense and uncertain reunification of an estranged, death-defying, megalomaniac father and his sole daughter; a nun forced to take convent vows in search of communion following her mother\u2019s untimely murder.<\/span><\/p>\n

The impressive cast, whose performance garnered a seven and a half-minute standing ovation at the film\u2019s premier at the Cannes Film Festival, includes favourites of the director such as Michael Cera, Willem Dafoe, Bill Murray, Scarlett Johansson, Richard Ayoade, Tom Hanks and Benedict Cumberbatch, but the film\u2019s stars are undoubtedly Anderson first-timer Mia Threapleton and Benicio Del Toro, who portray the two central characters, Liesel and Zsa-zsa Korda. While Puerto Rican star del Toro boasts a decades-long career and numerous industry accolades, Threapleton is just 24 years old and right at the start of her career \u2014 not that it shows.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Image credit: (L-R)\u00a0 Benicio Del Toro as Zsa-Zsa Korda and Mia Threapleton as Liesl in director Wes Anderson’s THE PHOENICIAN SCHEME, a Focus Features release. <\/span>Courtesy of TPS Productions\/Focus Features \u00a9 2025 All Rights Reserved.<\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Draping the character in symbolism, opulent adjustments are made to Liesel\u2019s initially unremarkable nun\u2019s habit as she explores the possibilities of a life outside the convent. Threapleton delivers a sharp, confident and cutting performance as a daughter of god presented with a complex opportunity to explore a more primal, biological paternal relationship. With the delivery of each line, written by Anderson in partnership with long-time collaborator Roman Coppola, the audience is drawn into the complexity of this familial tale, but it is the film\u2019s meticulous production design \u2014 as it is with so many of Anderson\u2019s films \u2014 that adds an almost tactile richness to the storytelling.<\/span><\/p>\n

With religion as a central thematic pillar of the film, its costume and set design leans into the duplicitous aesthetic languages of Catholicism, playing with emblems of chastity, poverty, wealth and purity. In one particularly striking early scene, Threapleton\u2019s character Liesel presents a decadent rosary to the camera, signifying her decision to tentatively follow in her immoral father\u2019s footsteps. The striking rosary is a bespoke piece, crafted exclusively for the film by heritage French brand <\/span>Cartier<\/span><\/a>.<\/span><\/p>\n

Captivated by the historic charm of a cross pendant made by the house around 1880, Anderson envisioned a contemporary version that would accompany Liesel throughout the film. In order to bring this vision to life on the big screen, Cartier\u2019s High Jewellery studio reinterpreted the archival cross on a larger scale for cinematic visibility, while a chain with rose-cut diamonds was created to offer a vintage feel that echoes Anderson\u2019s unique aesthetic. Another Cartier creation \u2014 a High Jewellery diamond ring that first appears in the brand\u2019s signature red box during a poignant proposal scene \u2014 is pertinent to the film\u2019s plot.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Cartier special order for Wes Anderson, <\/i>2024. <\/span><\/i>White gold, briolette-, rose- and square-cut diamonds, e<\/span><\/i>merald beads, ruby cabochons. <\/span><\/i>Length of chain 78.5cm. Height of cross 5.48cm<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Cartier has supported the cinematic arts since the early 20th century, and as an official partner of the Venice International Film Festival has been associated with the Venice Biennale since 2021. Beyond this, the house extends further support to contemporary filmmaking, most notably through the annual Cartier Glory to the Filmmaker Award, which was awarded to Anderson in 2023.<\/span><\/p>\n

Film stars throughout the 20th and 21st centuries have adorned themselves in Cartier as they take to red carpets and film festivals in celebration of their craft, while on-screen appearances are often the result of actors\u2019 personal love of the house\u2019s designs. Devoted wearer Audrey Hepburn chose to adorn herself in Cartier creations in her 1966 heist caper <\/span>How to Steal a Million<\/span><\/i>, while Romy Schneider wore her own beloved Baignoire watch in Jacques Deray\u2019s 1969 psychological thriller <\/span>La Piscine<\/span><\/i>. Notably, in 1995, French poet, novelist, director and playwright Jean Cocteau received a unique Cartier-crafted academician\u2019s sword, of his own design upon his admittance to the prestigious Acad\u00e9mie Fran\u00e7aise.<\/span><\/p>\n

Immaculately conceived and executed costume and set concepts are central to cultivating a sense of Anderson within his own films. Led by production designer Adam Stockhausen, expansive teams of craftspeople, engineers, makers and artists \u2014 many of whom are based here in Germany, where <\/span>The Phoenician Scheme<\/span><\/i> was made \u2014 sit at the heart of what makes these productions so strikingly surreal, and at times utterly beautiful in their absurdity. As Anderson admitted to fellow filmmaker Wim Wenders in a conversation that took place as an introduction to the film\u2019s German premier, he once traded his dreams of being a director for aspirations of becoming an architect, before returning to his original plans; making clear his commitment to impactful aesthetic world-building within his multifaceted creative practice.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Image credit: Mia Threapleton stars as Liesl in director Wes Anderson’s THE PHOENICIAN SCHEME, a Focus Features release. Courtesy of TPS Productions\/Focus Features \u00a9 2025 All Rights Reserved.<\/em><\/p>\n

The Phoenician Scheme<\/span><\/i> will be released in cinemas across Germany on May 30, 2025.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Es ist Sonntagmorgen in der deutschen Hauptstadt. Das Sonnenlicht f\u00e4llt auf den wei\u00dfen K\u00fcchentisch in meinem Berliner Studio \u2013 ein seltener Moment der W\u00e4rme im sonst eisigen Berliner Winter. Ich bereite mich darauf vor, mit der \u00f6sterreichischen S\u00e4ngerin und guten Freundin Sofie Royer zu sprechen.<\/p>\n

Wenige Minuten vor unserem geplanten Anruf schreibt sie mir eine Nachricht und entschuldigt sich, dass sie zehn Minuten zu sp\u00e4t dran ist. Ich antworte mit: \u201eDas geht sich aus\u201c \u2013 ein kleiner Moment \u00f6sterreichischer Verbundenheit zwischen uns. Der Song Young-Girl Illusion aus ihrem aktuellen Album Young-Girl Forever l\u00e4uft im Hintergrund und macht das Studio noch gem\u00fctlicher, als sie sich schlie\u00dflich meldet.<\/p>","protected":false},"author":1470,"featured_media":404573,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":null,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"","_google_business_share_type":"","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[878,39],"tags":[243,1067,53,1066],"season":[],"class_list":["post-368443","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-jewellery","tag-cartier","tag-film","tag-jewellery","tag-wes-anderson"],"acf":[],"yoast_head":"\nCartier crafts a rosary for film director Wes Anderson's 'The Phoenician Scheme' - 10 Magazine Germany<\/title>\n<meta name=\"description\" content=\"A little more than 15 years ago, Soho House founder Nick Jones invited a number of artists to the \u2018hard hat\u2019 opening of the members club\u2019s new Berlin outpost. Guests were greeted by an unexpected rendition of Damian Hirst\u2019s Shark, spray painted on the building\u2019s construction hoarding by the artist himself, at Jones\u2019 request, ahead of the installation of the real deal. This unpretentious, ungilded approach to contemporary fine art was a symbol of what was to come: a cool, creative space where artistic dialogue should be open, welcomed and accessible to any members willing to spend a moment with the works on display.Marking the 15th anniversary of Soho House Berlin, a newly curated collection of 75 artworks has been unveiled, exclusively comprising pieces by artists born or trained in Berlin. 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