{"id":368867,"date":"2025-09-29T12:39:55","date_gmt":"2025-09-29T10:39:55","guid":{"rendered":"https:\/\/germany.10magazine.com\/?p=368867"},"modified":"2025-09-29T12:56:08","modified_gmt":"2025-09-29T10:56:08","slug":"what-fashion-learned-from-girls","status":"publish","type":"post","link":"https:\/\/germany.10magazine.com\/de\/what-fashion-learned-from-girls\/","title":{"rendered":"What fashion learned from girls"},"content":{"rendered":"
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Simone Rocha, Ashley Williams, Maison Margiela, Jenny Fax, Molly Goddard and Raf Simons have all channelled spirits of girlhood in their designs \u2014 from bedroom brooding and the depths of existential dread to coming of age in a fight against tedium. In the company of artefacts from the work of Sofia Coppola, artworks by Louise Bourgeois and archival books and magazines, garments inspired by the unfettered experience of girlhood feature in a new exhibition at MoMu \u2013 Fashion Museum Antwerp.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Image credit: Still from The Virgin Suicides,1999, directed by Sofia Coppola, \u00a9 Sofia Coppola.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Tenderly curated by <\/span>Elisa De Wyngaert<\/span><\/a>, with guest film curation by <\/span>Girlhood<\/span><\/i><\/a> author <\/span>Claire Marie Healy<\/span><\/a>, <\/span>Girls. On boredom, rebellion, and being in-between<\/span><\/i><\/a> simultaneously reflects on girlhood as a social construct and a lived experience. While today\u2019s cultural landscape is rife with imprints of girlhood, it is only in the last 300 years that a visual language for this period of adolescence has begun to take shape.<\/span><\/p>\n

The concept of childhood itself did not exist until the late 18th century. Prior to that, there were only infants; children were considered small adults who contributed to family work and therefore lived and dressed accordingly. The romantic ideals of the early 19th century first introduced the idea of childhood as a distinct life stage, thus creating space for the unique experience of girls to evolve. De Wyngaert states, “The way girls are dressed \u2014 in art, in fashion, film, photography \u2014 is actually a language in itself. It says so much about the assumptions surrounding girlhood and their roles in society.” The changing roles and perceptions of adolescent women can be identified in how they are pictured in art. Commenting on some of the early depictions featured in the exhibition, she adds, \u201cGirls are often portrayed as very passive. They’re on a chair, holding a kitten, playing the piano. They’re daughters of someone. They’re just there. They’re not bothering anyone.\u201d<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Image credit: Class of 1998, Veronique Branquinho Autumn-Winter 1998 for Self Service No. 8, \u00a9 Photo: Anuschka Blommers & Niels Schumm<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Image credit: Fumiko Imano, Yellow bath\/Hitachi\/Japan, 2007, \u00a9 Fumiko Imano<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Journeying through the exhibition, the curation leans into more contemporary representations of girlhood, with a focus on the fight for identity and empowerment \u2014 a battle often fought both within oneself and against the wider world during the surge towards adulthood. <\/span>The teenage bedroom is a laboratory for experiments in self-conceptualisation and realisation, and <\/span>Girls. On boredom, rebellion, and being in-between<\/span><\/i> encapsulates this with precision, through three central bedroom installations. Reminding us of the vulnerability of teens, Coppola\u2019s 1999 film <\/span>The Virgin Suicides<\/span><\/i> is a seminal commentary on girlhood. Original costumes from the production are displayed in the first bedroom installation, alongside a nostalgically dressed single bed and a vintage television playing clips from the film.<\/span><\/p>\n

In the second bedroom, Taiwan-born fashion designer Fax recreates her childhood bedroom, which De Wyngaert notes was designed by Fax\u2019s mother for use as a guest room and is therefore uncharacteristically devoid of teen paraphernalia. The absence of artefacts of adolescent identity prods the voyeuristic consciousness, and we are reminded that this period of growth is precious and should be nurtured and cherished as such.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Image credits: The Virgin Suicides in Girls. On Boredom, Rebellion and Being In-Between at MoMu\u2013Fashion Museum Antwerp, 2025, \u00a9 MoMu Antwerp, Photo: Stany Dederen (L). Jenny Fax in Girls. On Boredom, Rebellion and Being In-Between at MoMu\u2013Fashion Museum Antwerp, 2025, \u00a9 MoMu Antwerp, Photo: Stany Dederen (R).<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Rebellious fashion duo Chopova Lowena take the teen aesthetic to its nth degree in the exhibition’s final bedroom. Every inch of the space speaks to the chaos of coming of age, while mirroring the brash visual language the brand celebrates in its clothing designs.<\/span><\/p>\n

From Jim Britt\u2019s 1976 <\/span>Sisters<\/span><\/i> photography series, featured in Comme des Gar\u00e7ons\u2019 now iconic A\/W88 campaign, to Anuschka Blommers and Niels Schumm\u2019s <\/span>Class Veronique Branquinho<\/span><\/i>-clad <\/span>Class of 1998<\/span><\/i> shoot for <\/span>Self Service<\/span><\/i> No.8 magazine, the manufactured moments of pop culture highlighted by De Wyngaert\u2019s curation remind us that fashion is obsessed with girlhood. Simultaneously wrestling with the idea of finding their place in the world while somehow learning how to protect a tender sense of self results in inimitable moments of self-expression \u2014 the kind creatives will spend a lifetime in pursuit of.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Image credit: Chopova Lowena in Girls. On Boredom, Rebellion and Being In-Between at MoMu\u2013Fashion Museum Antwerp, 2025, \u00a9 MoMu Antwerp, Photo: Stany Dederen<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Looks from Rocha, Williams and Goddard reflect an era of reclamation of girlish femininity, bringing Pepto-Bismol pink, long blonde braids and layer after layer of chiffon to the runway like a middle finger to the style standards enforced on women for generations in the name of being taken seriously. The representation of this cotton-candy brand of feminist iconography has already inspired debate among the exhibition\u2019s visitors, with some questioning the possibility of a perceived infantilisation of women, while others champion the power of reclaiming motifs long condemned as either unserious or unintelligent. Garments and accessories featured in the exhibition are bold, brave and unapologetic, and what becomes clear by the end is that it is not girls who have learned from fashion, but fashion that has learned from girls.<\/span><\/p>\n

See <\/span>Girls. On boredom, rebellion, and being in-between<\/span><\/i> until 1 February 2026 at <\/span>MoMu – Fashion Museum Antwerp<\/span><\/a>.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Simone Rocha, Ashley Williams, Maison Margiela, Jenny Fax, Molly Goddard and Raf Simons have all channelled spirits of girlhood in their designs \u2014 from bedroom brooding and the depths of existential dread to coming of age in a fight against [...]","protected":false},"author":1470,"featured_media":428838,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"","_twitter_share_type":"","_linkedin_share_type":"","_pinterest_share_type":"","_linkedin_share_type_page":"","_instagram_share_type":"","_medium_share_type":"","_threads_share_type":"","_google_business_share_type":"","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[65,878,876],"tags":[1149,4,1150,1152,1148,1147,1128,1151,321],"season":[],"class_list":["post-368867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-culture","category-fashion","tag-antwerp","tag-exhibition","tag-fashion-exhibition","tag-fashion-museum","tag-girlhood","tag-girls","tag-helmut-newton","tag-momu","tag-photography"],"acf":[],"yoast_head":"\nWhat fashion learned from girls - 10 Magazine Germany<\/title>\n<meta name=\"description\" content=\"Simone Rocha, Ashley Williams, Maison Margiela, Jenny Fax, Molly Goddard and Raf Simons have all channelled spirits of girlhood in their designs \u2014 from bedroom brooding and the depths of existential dread to coming of age in a fight against tedium. In the company of artefacts from the work of Sofia Coppola, artworks by Louise Bourgeois and archival books and magazines, garments inspired by the unfettered experience of girlhood feature in a new exhibition at MoMu \u2013 Fashion Museum Antwerp.Tenderly curated by Elisa De Wyngaert, with guest film curation by Girlhood author Claire Marie Healy, Girls. On boredom, rebellion, and being in-between simultaneously reflects on girlhood as a social construct and a lived experience. 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In the company of artefacts from the work of Sofia Coppola, artworks by Louise Bourgeois and archival books and magazines, garments inspired by the unfettered experience of girlhood feature in a new exhibition at MoMu \u2013 Fashion Museum Antwerp.Tenderly curated by Elisa De Wyngaert, with guest film curation by Girlhood author Claire Marie Healy, Girls. On boredom, rebellion, and being in-between simultaneously reflects on girlhood as a social construct and a lived experience. 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In the company of artefacts from the work of Sofia Coppola, artworks by Louise Bourgeois and archival books and magazines, garments inspired by the unfettered experience of girlhood feature in a new exhibition at MoMu \u2013 Fashion Museum Antwerp.Tenderly curated by Elisa De Wyngaert, with guest film curation by Girlhood author Claire Marie Healy, Girls. On boredom, rebellion, and being in-between simultaneously reflects on girlhood as a social construct and a lived experience. While today\u2019s cultural landscape is rife with imprints of girlhood, it is only in the last 300 years that a visual language for this period of adolescence has begun to take shape.","breadcrumb":{"@id":"https:\/\/germany.10magazine.com\/what-fashion-learned-from-girls\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/germany.10magazine.com\/what-fashion-learned-from-girls\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/germany.10magazine.com\/what-fashion-learned-from-girls\/#primaryimage","url":"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2025\/09\/12_Fumiko-Imano_RS273776_yellow-bath-500.jpg","contentUrl":"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2025\/09\/12_Fumiko-Imano_RS273776_yellow-bath-500.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/germany.10magazine.com\/what-fashion-learned-from-girls\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/germany.10magazine.com\/"},{"@type":"ListItem","position":2,"name":"What fashion learned from girls"}]},{"@type":"WebSite","@id":"https:\/\/germany.10magazine.com\/en_gb\/#website","url":"https:\/\/germany.10magazine.com\/en_gb\/","name":"10 Magazine Germany","description":"10 Magazine is built on the belief that fashion should be shot beautifully and supplemented with exclusive interviews, groundbreaking editorial features and powerful, opinionated journalism.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/germany.10magazine.com\/en_gb\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Person","@id":"https:\/\/germany.10magazine.com\/en_gb\/#\/schema\/person\/306fed858e8a503a59c2b80f2efcfdc6","name":"Milly Burroughs","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/germany.10magazine.com\/en_gb\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a78eabf7b7222f8c6a7899021f601f8dfff571b2f8d00fdaab3d405293fc63ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a78eabf7b7222f8c6a7899021f601f8dfff571b2f8d00fdaab3d405293fc63ff?s=96&d=mm&r=g","caption":"Milly Burroughs"},"url":"https:\/\/germany.10magazine.com\/de\/author\/millyburroughs\/"}]}},"_links":{"self":[{"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/posts\/368867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/users\/1470"}],"replies":[{"embeddable":true,"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/comments?post=368867"}],"version-history":[{"count":6,"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/posts\/368867\/revisions"}],"predecessor-version":[{"id":368910,"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/posts\/368867\/revisions\/368910"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/media?parent=368867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/categories?post=368867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/tags?post=368867"},{"taxonomy":"season","embeddable":true,"href":"https:\/\/germany.10magazine.com\/de\/wp-json\/wp\/v2\/season?post=368867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}