{"id":369347,"date":"2026-02-07T09:56:15","date_gmt":"2026-02-07T08:56:15","guid":{"rendered":"https:\/\/germany.10magazine.com\/?p=369347"},"modified":"2026-02-07T10:03:09","modified_gmt":"2026-02-07T09:03:09","slug":"10-brands-we-loved-from-copenhagen-fashion-week","status":"publish","type":"post","link":"https:\/\/germany.10magazine.com\/de\/10-brands-we-loved-from-copenhagen-fashion-week\/","title":{"rendered":"10 Brands We Loved from Copenhagen Fashion Week"},"content":{"rendered":"
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This season Copenhagen Fashion Week featured showcases from a wide range of both emerging and established brands. Cult favourites Op\u00e9raSPORT and Forza Collective returned to the runway, while Holzweiler delivered a triumphant homecoming collection. The juxtaposition of light and heavy was explored in abundance this season by various brands, while MKDT Studio reaffirmed that classic doesn\u2019t always mean boring.<\/span><\/p>\n

Here are 10 brands we couldn\u2019t get enough of at CPHFW.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Baum und Pferdgarten<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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Rikke Baumgarten and Helle Hestehave\u2019s latest offering for AW26 draws inspiration from Amelia Earhart, the legendary female aviator from the 1930s. As models strutted down the runway in the form of an aeroplane landing strip it was plain to see the intricate references taken from Earhart, not just her aviation clothes \u2013 reimagined for the modern woman \u2013 but gowns and furs she was adept at wearing to high society soir\u00e9es. The core of the collection was assuredly very on-brand for the duo: from the belted trench dresses to sumptuous knits, leather two-pieces worn with fur collars to structured blazers to aged aviator jackets, there was indeed something for every woman.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Holzweiler<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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Norwegian brand Holzweiler returned to Copenhagen this season, after a few years at London Fashion Week and a brief hiatus from fashion shows altogether. A homecoming of sorts, the collection explored the idea of preservation; to hold on to something like a memory, emulated in the use of both sheer and heavy textured fabrics. Leather jackets and textured knits were worn over sheer dresses and skirts, while velvet-coated denim in deep bordeaux and earthy browns caught the light with a soft glow, mirroring the shimmer of sheer, body-skimming gowns and ethereal slips.\u00a0<\/span><\/p>\n

Yet the collection\u2019s most lingering vision was its final one. Holzweiler closed the show with a nod to the unconventional bride, draped in a voluminous white puffer. It was a striking, indelible image and a reminder that even in the haziest of memories, there is a comfort that feels like home.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Henrik Vibskov<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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Vibskov celebrated his eponymous brand\u2019s 25th anniversary with a collection titled \u201cFrog Carry Frog\u201d. Drawing inspiration from a fire-bellied\u00a0 frog he spotted on an island in Denmark, Vibskov also sought to explore the shared weight of humanity, emotional baggage and collective labour in this collection. The show was filled with his usual theatrics, as a central troupe of performers bearing ladders could be seen adding and removing packages from their backs, adjusting the literal and symbolic \u201cweight\u201d of the collection throughout.<\/span><\/p>\n

Stranger Things<\/span><\/i> actress Linnea Berthelsen set the tone, opening the show in a spunky hat and an amphibian-patterned sweater layered over a crisp white shirt. The collection\u2019s strength lay in its textural diversity, blending jacquards inspired by mossy textures and mycelium with checks and plaids. A standout silhouette of the collection was a cape-shouldered rain poncho with a coordinating hat.\u00a0<\/span><\/p>\n

The show reaffirmed Vibskov\u2019s signature edge and his relentless focus on the custom-designed textiles that set his work apart from the pack.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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SSON<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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For its debut Copenhagen Fashion Week appearance, SSON proved the power of circularity by presenting a collection made 100 per cent from secondhand materials. With the aim of tackling the issue of excess textiles and the constant stream of clothes entering charity shops that can\u2019t be sold, SSON founders<\/span> Yulia Kjellsson and Ellinor H\u00e5kansson dubbed their AW26 collection \u201cThe Fortunate Ones\u201d. The set\u2019s mountain of textile waste anchored the collection\u2019s theme, exposing a culture defined by overconsumption and a relentless craving for the next shiny thing.<\/span><\/p>\n

The collection was a playful one, consisting of seemingly fantastical designs like a v-neck shirt transformed into a knit skirt, a bomber jacket made from various fur-lined hoods and a denim miniskirt with a bag handle attached. Crisp tailoring interplayed with cosy textures, while a prim, powder-pink A-line dress reimagined traditional shirting. By presenting a ridiculously good collection, SSON has made its mark this season, showing that upcycled clothing can be innovative and unique.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Gestuz<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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For AW26, Gestuz traded the high-octane asphalt of their previous motor-racing theme for something significantly more intoxicating. Creative director and founder, Sanne Sehested transformed the runway into a custom-built, moody New York bar \u2013 complete with handsome bartenders and a cloud of vintage glamour \u2013 to a collection that felt like a \u201cshaken, not stirred\u201d tribute to the modern femme fatale.<\/span><\/p>\n

Thriving on the tension between hard and soft, sheer devor\u00e9 maxi dresses with trailing scarves were layered under heavy fur coats or boxy leather jackets. Sculpted tailoring was also present, as various looks leaned heavily into the \u201cModern Yuppie\u201d aesthetic, oversized blazers with 1980s-inspired shoulders paired unexpectedly with stirrup leggings.\u00a0<\/span><\/p>\n

Beyond the colour story, the olive theme appeared in playful details, most notably ceramic olive-shaped bag charms and oversized, chunky necklaces that felt pulled from a vintage tapestry. Elsewhere pointed-toe boots and heels, designed to transition from a boardroom takeover to a late-night martini, marked a confident return to the category.\u00a0<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Nicklas Skovgaard<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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Presented in a standing-room-only space, Nicklas Skovsgaard\u2019s AW26 collection focused on the waist, pleated waistlines and balloon silhouettes made central to the collection. Structured yet soft, each look had a flit and flare look about it softened and reshaped into an hourglass with exposed raw edges.<\/span><\/p>\n

Juxtaposition defined the details. This season, the beautifully light nightgown is subverted through heavy wool construction, while the play on weight continues as dense textiles are paired with gossamer skirts or the architectural ripple of a leather peplum.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Forza Collective<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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An ode to his late aunt and her style, Kristofer Kongshaung\u2019s AW26 collection was all about glamour and mystery. High-neck collars dominated various looks: some sheer, some knitted and some satin. Sharp tailoring met fluid dresses, creating a collection of staples for both business and pleasure. The show opened with a series of looks that redefined \u201cdesk-to-dinner\u201d dressing. Kongshaug\u2019s signature was evident in the deconstruction of traditional prototypes. One-button power-suit jackets featured spines cut into angled panels and reassembled like fans. These were paired with draped trousers that featured flounces at the waist. Elsewhere sheer peplum gowns and \u201cpeek-a-boob\u201d cutout dresses strutted down the runway in red, black and white crepe.<\/span><\/p>\n

Developing his brand\u2019s design language season by season, Konshaung isn\u2019t focused on reinventing the wheel or following themes, but defining Forza Collective\u2019s identity \u2013 shown through his drop-waist piped pleating and structured neck ties, seen throughout the collection.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Stem<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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For Stem\u2019s AW26 collection, Sarah Brunnhuber stripped her production process back to its most elemental state, transforming the show space at Papir\u00f8en into a tactile laboratory of sustainable innovation.<\/span><\/p>\n

Guests were invited into the process through a needle-felting workshop using raw Danish wool, bridging the gap between the raw material and the finished luxury garment. The collection\u2019s<\/span> standout piece was a structured yet supple cardigan, based on the brand\u2019s original 2021 shirt silhouette, reimagined in \u201cElastic Wool\u201d. Stem\u2019s signature visual language \u2013 visible fringes along the seams \u2013 remained central. Each look\u2019s colour story was dictated by the loom rather than the trend cycle, so earthy browns, deep navies and creamy off-whites were chosen based on the availability of high-quality deadstock wool, resulting in a cohesive play of checks and subtle stripes.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Op\u00e9raSPORT<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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Dark hues ruled Op\u00e9raSPORT\u2019s newest collection, titled \u201cVenice by Night\u201d, which saw classic black and white shades combined with paler pink hues, dark khaki and violet, adequately capturing the city by night reference of writer and poet Hans Christian Andersen. Sculptured tailoring was detailed, with cinched waists paired with recycled satin, while leather, florals and lace gave off the quiet opulence of Venice.<\/span><\/p>\n

The brand also unveiled their new footwear collaboration with British brand Clarks: a reimagination of the classic Wallabee under the Op\u00e9raSPORT lens.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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MKDT Studio<\/b><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n
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Focusing on what makes the perfect wardrobe this season, MKDT Studio presented a selection of elevated staples. From the oversized checked coat layered with a sharply tailored black suit that opened the show to light satin dresses worn atop aran knit jumpers, the collection made a case for classic style codes and how intriguing they can be. Exploring the art of layering through heavy and light pairings and muted colour palettes, the collection was a minimalist\u2019s dream.<\/span><\/p>\n

Cropped-waist denim jackets and funnel necks with detachable scarves were made to be mixed and matched, creating the perfect wardrobe essentials for the busy woman \u2013 something the brand is renowned for.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Text Bethany Berkeley<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Es ist Sonntagmorgen in der deutschen Hauptstadt. Das Sonnenlicht f\u00e4llt auf den wei\u00dfen K\u00fcchentisch in meinem Berliner Studio \u2013 ein seltener Moment der W\u00e4rme im sonst eisigen Berliner Winter. Ich bereite mich darauf vor, mit der \u00f6sterreichischen S\u00e4ngerin und guten Freundin Sofie Royer zu sprechen.<\/p>\n

Wenige Minuten vor unserem geplanten Anruf schreibt sie mir eine Nachricht und entschuldigt sich, dass sie zehn Minuten zu sp\u00e4t dran ist. Ich antworte mit: \u201eDas geht sich aus\u201c \u2013 ein kleiner Moment \u00f6sterreichischer Verbundenheit zwischen uns. Der Song Young-Girl Illusion aus ihrem aktuellen Album Young-Girl Forever l\u00e4uft im Hintergrund und macht das Studio noch gem\u00fctlicher, als sie sich schlie\u00dflich meldet.<\/p>","protected":false},"author":1444,"featured_media":441796,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":null,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[876,12],"tags":[1099,30],"season":[],"class_list":["post-369347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fashion","category-shows","tag-copenhagen","tag-fashion-week"],"acf":[],"yoast_head":"\n10 Brands We Loved from Copenhagen Fashion Week - 10 Magazine Germany<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/germany.10magazine.com\/de\/10-brands-we-loved-from-copenhagen-fashion-week\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"10 Brands We Loved from Copenhagen Fashion Week\" \/>\n<meta property=\"og:description\" content=\"It\u2019s a slow Sunday morning in the German capital. The sunlight falls across the white kitchen table in my Berlin studio, a rare moment of warmth in our typically harsh winter. I\u2019m preparing to speak to the Austrian chanteuse and dear friend, Sofie Royer. A few minutes before our scheduled call, she messages me, apologising for the fact that she\u2019ll be ten minutes late. 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