{"id":369865,"date":"2026-04-27T14:06:00","date_gmt":"2026-04-27T12:06:00","guid":{"rendered":"https:\/\/germany.10magazine.com\/?p=369865"},"modified":"2026-04-27T16:44:55","modified_gmt":"2026-04-27T14:44:55","slug":"10-art-spaces-to-visit-during-gallery-weekend-berlin-2026","status":"publish","type":"post","link":"https:\/\/germany.10magazine.com\/de\/10-art-spaces-to-visit-during-gallery-weekend-berlin-2026\/","title":{"rendered":"10 Art Spaces to Visit During Gallery Weekend Berlin 2026"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400;\">Returning for its 22nd edition, from May 1\u20133, 2026, <a href=\"https:\/\/www.gallery-weekend-berlin.de\/\" target=\"_blank\" rel=\"noopener\">Gallery Weekend Berlin 2026<\/a> is bringing the work of artists from around the world to the German capital once more, with 50 galleries presenting more than 80 artistic positions across 63 locations in the main programme alone. Additional off-programme offerings include the fourth edition of <\/span><a href=\"https:\/\/www.sellerie-weekend.de\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Sellerie Weekend<\/span><\/a><span style=\"font-weight: 400;\">, where non-profit and unconventional art voices make themselves visible to culture-seekers and art-lovers exploring the city\u2019s creative landscape.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Berlin\u2019s wealth of arts institutions are also putting their best foot forward this week. At <\/span><a href=\"https:\/\/www.smb.museum\/en\/museums-institutions\/hamburger-bahnhof\/home\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Hamburger Bahnhof<\/span><\/a><span style=\"font-weight: 400;\">, the second edition of the CHANEL Commission, created by artist <\/span><a href=\"https:\/\/www.instagram.com\/linalapelyte\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Lina Lapelyt\u0117<\/span><\/a><span style=\"font-weight: 400;\">, will be unveiled. <\/span><i><span style=\"font-weight: 400;\">We Make Years Out of Hours<\/span><\/i><span style=\"font-weight: 400;\"> will emerge as an evolving performance and collective construction staged in the Historic Hall, recasting the space as a setting for shared action and song.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With so much to see, and many galleries showcasing more than one exhibition, 10DE\u2019s Arts Editor <\/span><a href=\"https:\/\/www.instagram.com\/millyburroughs2.0\/?hl=en\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Milly Burroughs<\/span><\/a><span style=\"font-weight: 400;\"> shares the art spaces featured in the official Gallery Weekend Berlin programme she is most looking forward to seeing this year.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/hyperreal-00-epoxy-resin-distilled-water-79-x-101-x-10-cm-2026-hyperreal-10-eepoxy-resin-graffiti-extracted-with-solvent-79-x-101-x-10-cm-2026-72Berlin-_Gallery_Weekend_2026_10_Magazine_Deutsch.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/antonjanizewski.com\/\" target=\"_blank\" rel=\"noopener\">Anton Janizewski<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x47a85180e3fe9f29:0x235318e5d88e3e4d?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Weydingerstra\u00dfe 10<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/antonjanizewski\/?hl=en\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@antonjanizewski<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Jiyoon Chung, <\/span><a href=\"https:\/\/antonjanizewski.com\/jiyoon-chung-dead-end\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Dead End<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">From 2 May until 6 June 2026, Anton Janizewski will unveil <\/span><i><span style=\"font-weight: 400;\">Dead End<\/span><\/i><span style=\"font-weight: 400;\">, South Korea-born artist Jiyoon Chung\u2019s first exhibition in Berlin. Based between Frankfurt am Main and Seoul, Chung\u2019s work \u2014 which aims to disrupt and question daily mundanity \u2014 will be presented \u201cin the context of the current intensification of security politics, which continues to suppress the search for social solutions\u201d.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: Jiyoon Chung, \u2018Hyperreal\u2019, 1.0, 2026, 79 x 101 x 10 cm. Epoxy resin, graffiti extracted with solvent. Courtesy of the artist and Anton Janizewski. Copyright Brian Kure.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1920\" height=\"1354\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/Franz-West_Madley-I-1996-2003_Courtesy-Galerie-Crone_Berlin-_Gallery_Weekend_2026_10_Magazine_Deutsch.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/www.galeriecrone.com\/\" target=\"_blank\" rel=\"noopener\">Galerie Crone<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x47a851d690c0650d:0xac4c7aa4cb83e1b6?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Fasanenstra\u00dfe 29<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/galerie_crone\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@galerie_crone<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Franz West and Bruno Gironcoli, <\/span><a href=\"https:\/\/www.gallery-weekend-berlin.de\/journal\/gwb2026-crone\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Logical Disorder<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Presented by Galerie Crone in collaboration with Galerie Elisabeth &amp; Klaus Thoman, <\/span><i><span style=\"font-weight: 400;\">Logical Disorder<\/span><\/i><span style=\"font-weight: 400;\"> is a new exhibition that combines the work of influential Austrian artists Franz West and Bruno Gironcoli, who died in 2012 and 2010 respectively. Starring provocative sculptures and art objects, the show\u2019s title refers to the \u201cconverging divergence\u201d of the pair\u2019s practices, as well as their mutual urge \u201cto give form to existence in all its absurdity\u201d.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: Franz West, \u2018Madley I\u2019 1996-2003. Courtesy Galerie Crone, Berlin Wien, and Galerie Thoman, Innsbruck Wien.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1920\" height=\"1440\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/2026-01-21-tauba-auerbach-esther-schipper-01-photo-steven-probert-studio-Berlin-_Gallery_Weekend_2026_10_Magazine_Deutsch.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/www.estherschipper.com\/\" target=\"_blank\" rel=\"noopener\">Esther Schipper<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x416523d672156b23:0x1c8af68d0fb98cad?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Potsdamer Str. 81e<\/span><\/a><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/estherschippergallery\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@estherschippergallery<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Tauba Auerbach, <\/span><a href=\"https:\/\/www.estherschipper.com\/exhibitions\/1558-easy-assembly-tauba-auerbach\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Easy Assembly<\/span><\/i><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Celeste Rapone, <\/span><a href=\"https:\/\/www.estherschipper.com\/exhibitions\/1559-hyperarousal-celeste-rapone\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Hyperarousal<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Esther Schipper Berlin will present two new exhibitions during Gallery Weekend 2026, on view until 20 June 2026. <\/span><i><span style=\"font-weight: 400;\">Easy Assembly<\/span><\/i><span style=\"font-weight: 400;\"> is New York-based artist Tauba Auerbach\u2019s second exhibition with the gallery and consists of thirteen pointillist paintings that detail microscopic images of soap-made foams. On view alongside Auerbach\u2019s work, <\/span><i><span style=\"font-weight: 400;\">Hyperarousal<\/span><\/i><span style=\"font-weight: 400;\"> is American artist Celeste Rapone\u2019s first outing with the internationally recognised gallery, debuting three paintings that explore \u201cthe heated juncture of sensuous stimulation and nervous irritation in narratively dense compositions\u201d.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: Tauba Auerbach, \u2018Foam\u2019, 2026. Acrylic on Dibond panel, 122 x 183 cm. Courtesy the artist and Esther Schipper, Berlin\/Paris\/Seoul. \u00a9 the artist \/ VG Bild-Kunst, Bonn 2026. Photo: Steven Probert.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1487\" height=\"1500\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/sophy-rickett-pissing-women-vauxhall-bridge-1995-02Sophy-Rickett-Vauxhall-Bridge-Pissing-Women-series-1995.-Courtesy-the-artist.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/galerieneu.net\/\" target=\"_blank\" rel=\"noopener\">Galerie Neu<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/maps.app.goo.gl\/1GRSvHntKKUMRkC56\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Linienstra\u00dfe 119<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/galerie_neu\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@galerie_neu<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Group exhibition, <\/span><a href=\"https:\/\/galerieneu.net\/exhibition\/countercity\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Counter City<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Curated by Juliette Desorgues, <\/span><i><span style=\"font-weight: 400;\">Counter City<\/span><\/i><span style=\"font-weight: 400;\"> considers the Western city as a political and physical space shaped by patriarchal capitalism, in which authority and violence are embedded and doomed to repeat. The exhibition brings together works by Cosima von Bonin, Jana Euler, Pippa Garner, Hannah Quinlan &amp; Rosie Hastings, G.B. Jones, Klara Lid\u00e9n, Reba Maybury, Sophy Rickett, Anita Steckel and Lena Tutunjian.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: Sophy Rickett,\u2019 Vauxhall Bridge\u2019, \u2018Pissing Women\u2019 series, 1995. Courtesy the artist.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1920\" height=\"1440\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/tgood-adoc-societeBerlin-_Gallery_Weekend_2026_10_Magazine_Deutsch-edit.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/societeberlin.com\/\" target=\"_blank\" rel=\"noopener\">Soci\u00e9t\u00e9<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/share.google\/WIFFqmOPuqSOQMzUC\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Wielandstra\u00dfe 26<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/societeberlin\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@societeberlin<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Wynnie Mynerva, <\/span><a href=\"https:\/\/societeberlin.com\/exhibitions\/volevere-y-sere-millones\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Volver\u00e9 y ser\u00e9 millones<\/span><\/i><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Edi Rama, <\/span><a href=\"https:\/\/societeberlin.com\/exhibitions\/chrysalizing\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Chrysalizing<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">At Soci\u00e9t\u00e9, a new exhibition of works by Berlin and Barcelona-based Peruvian artist Wynnie Mynerva references the final words of revolutionary Andean leader T\u00fapac Katari and emerges from the artist\u2019s concerns surrounding violence in the Middle East, the global construction of Berlin as an icon of \u201csexual liberation\u201d and her personal experience of migration in Europe.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In his debut solo exhibition at Soci\u00e9t\u00e9, artist and Albanian Prime Minister Edi Rama \u2014 who trained as a painter at the Academy of Fine Arts in Tirana and worked as an artist in Paris before moving into politics \u2014 will present a new series of bronze sculptures created by translating original drawings into 3D-printed forms, which are then modeled by hand before being cast.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: Wynnie Mynerva, \u2018La persistencia, 2026\u2019. Oil on canvas, 191 x 255 x 5 cm. Courtesy the artist, Soci\u00e9t\u00e9, Berlin and Gathering London \/ Ibiza. Photo: Trevor Good.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1920\" height=\"1319\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/robert_elfgen_Berlin-_Gallery_Weekend_2026_10_Magazine_Deutsch.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/spruethmagers.com\/\" target=\"_blank\" rel=\"noopener\">Spr\u00fcth Magers<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x47a851e708db9b15:0x9898703c76674cb7?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Oranienburger Stra\u00dfe 18<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/spruethmagers\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@spruethmagers<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/spruethmagers.com\/exhibitions\/thomas-demand-berlin-2\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Thomas Demand<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Robert Elfgen, <\/span><a href=\"https:\/\/spruethmagers.com\/exhibitions\/robert-elfgen-utopisch-berlin\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">utopisch<\/span><\/i><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Martine Syms, <\/span><a href=\"https:\/\/spruethmagers.com\/exhibitions\/martine-syms-dominica-publishing-a-temporary-boutique-berlin\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Dominica Publishing, a temporary boutique<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">With a bumper offering of three projects displayed throughout its cavernous Berlin gallery space, blue chip giant Spr\u00fcth Magers will present an exhibition of new works by German photography and sculpture artist Thomas Demand alongside an exhibition by mytho-poetic artistic Robert Elfgen \u2014 known for his explorations of the relationship between humankind and nature as multifaceted assemblages and installations. Presented a street-facing exhibition space, Martine Syms\u2019 <\/span><i><span style=\"font-weight: 400;\">Dominica Publishing<\/span><\/i><span style=\"font-weight: 400;\"> sees artwork, merchandise and a selection of Syms\u2019 publications converge as a conceptual boutique.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: Robert Elfgen, \u2018Al Na Jr, 2026\u2019. Concrete, fabric, photo collage, brass, metallic spray paint 42 \u00d7 64 cm | 16 1\/2 \u00d7 25 1\/8 inches.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1500\" height=\"1500\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/tracey_emin_max_hetzler_10_magazine_deutsch_gallery_weekend_2026_guide.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/www.maxhetzler.com\/\" target=\"_blank\" rel=\"noopener\">Galerie Max Hetzler<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location:\u00a0 <\/span><a href=\"https:\/\/share.google\/R2jx2twqWlIqkC0UC\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Potsdamer Stra\u00dfe 77-87<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/galeriemaxhetzler\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@galeriemaxhetzler<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Group exhibition, <\/span><a href=\"https:\/\/www.maxhetzler.com\/exhibitions\/self-assessed-rita-ackermann-lorenzo-amos-oliver-bak-georg-baselitz-giorgio-de-chirico-michaela-eichwald-tracey-emin-grant-falar\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">The Self Assessed<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">On view from 30 April until 30 May 2026, Galerie Max Hetzler presents <\/span><i><span style=\"font-weight: 400;\">The Self Assessed<\/span><\/i><span style=\"font-weight: 400;\">; an exhibition of reflective self-portraits curated by Cornelius Tittel, featuring works by Rita Ackermann, Lorenzo Amos, Oliver Bak, Georg Baselitz, Giorgio de Chirico, Michaela Eichwald, Tracey Emin, Grant Falardeau, Eric Fischl, Nathana\u00eblle Herbelin, Martin Kippenberger, Jeff Koons, Maria Lassnig, Victor Man, Paula Modersohn-Becker, Bruce Nauman, Albert Oehlen, Dana Schutz, Cindy Sherman, Rudolf Stingel, Thomas Struth and Rebecca Warren.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: Tracey Emin, \u2018We Sit Together\u2019, 2025. Acrylic on canvas. 182 x 152 cm.; 71 5\/8 x 59 7\/8 in. \u00a9 Tracey Emin. All rights reserved, DACS 2026. Courtesy the artist and Xavier Hufkens. Photo: def image.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1804\" height=\"1412\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/adam_lupton_galerie_judin_Berlin-_Gallery_Weekend_2026_10_Magazine_Deutsch.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/www.galeriejudin.com\/\" target=\"_blank\" rel=\"noopener\">Galerie Judin<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/maps.app.goo.gl\/dAL2XYPDPyt8M9Am9\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Die Tankstelle, B\u00fclowstra\u00dfe 18<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/galeriejudin\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@galeriejudin<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Adam Lupton, <\/span><a href=\"https:\/\/www.galeriejudin.com\/2026-adam-lupton-too-sure-of-the-sun\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Too Sure of the Sun<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Since arriving in Berlin, Canadian painter Adam Lupton has redefined his practice with a focus on just two colors: blue and red, finding creative liberation within this self-imposed limitation. In a new exhibition at Galerie Judin\u2019s Die Tankstelle location \u2014 opened in Spring 2025 in collaboration with Pace \u2014 Lupton will present a new body of paintings, within which he is the eternal protagonist, exploring the domestic, aesthetic decisions we make in our daily lives, and the societal and cultural influences that drive our subconscious.\u00a0<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\">Image credit: Adam Lupton, &#8216;<\/span><span style=\"font-family: Arial;\">What Now\/Now What&#8217;, 2026. <\/span><span style=\"font-family: Arial;\">Photo: \u00a9 the artist. <\/span><span style=\"font-family: Arial;\">Courtesy Galerie Judin, Berlin.<\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1125\" height=\"1500\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/16-marieta-chirulescu-ii-galerie-plan-b_Berlin-_Gallery_Weekend_2026_10_Magazine_Deutsch.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/www.plan-b.ro\/\" target=\"_blank\" rel=\"noopener\">Galeria Plan B<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x47a8504a8325d29b:0xf9108e616ed37c49?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Strausberger Platz 1<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/galeriaplanb\/?hl=en\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@galeriaplanb<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><a href=\"https:\/\/www.plan-b.ro\/exhibition\/marieta-chirulescu-2026\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Marieta Chirulescu<\/span><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">On view 1\u201330 May 2026, Galeria Plan B will unveil its second exhibition with Romanian artist Marieta Chirulescu during Gallery Weekend Berlin 2026. Recognised for her abstract practice, Chirulescu probes the mechanics of reproduction, erasure and the image\u2019s inherent instability, working continuously across painting, digital manipulation, collage and printmaking.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: Marieta Chirulescu, \u2018Untitled\u2019, 2024. Glue pigments and canvas on canvas, 50 x 40 cm. Courtesy the artist and Plan B Cluj, Berlin. Photo: Trevor Good.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"995\" height=\"1500\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2026\/04\/Monty-Richthofen-HARD-2-4GET-2026-DITTRICH-SCHLECHTRIEM-Berlin-_Gallery_Weekend_2026_10_Magazine_Deutsch.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><a href=\"https:\/\/dittrich-schlechtriem.com\/\" target=\"_blank\" rel=\"noopener\">Dittrich &amp; Schlechtreim<\/a><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x47a851e8a268a6e1:0x2a709dad5cff2218?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Linienstra\u00dfe 40<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">IG: <\/span><a href=\"https:\/\/www.instagram.com\/dittrichschlechtriem\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">@dittrichschlechtriem<\/span><\/a><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Monty Richthofen, <\/span><a href=\"https:\/\/dittrich-schlechtriem.com\/monty-richthofen\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">HARD 2 4GET<\/span><\/i><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Throughout the weekend, Dittrich &amp; Schlechtreim will present <\/span><i><span style=\"font-weight: 400;\">HARD 2 4GET:<\/span><\/i><span style=\"font-weight: 400;\"> a new project by Berlin-based artist Monty Richthofen. A series of interventions will begin at Rosa-Luxemburg-Platz and unfold across the city, embracing the German capital\u2019s urban landscape as a collaborator and a canvas. As a choreography of Richthofen\u2019s core practices of performance and textual experimentation, <\/span><i><span style=\"font-weight: 400;\">HARD 2 4GET<\/span><\/i><span style=\"font-weight: 400;\"> will see a convoy of spray-painted vehicles bearing text-based compositions thread through Berlin\u2019s traffic, briefly disrupting the flow before it slips back into mundane rhythm without question. Interventions will also take place at Ernst-Reuter-Platz, the Victory Column and Strausberger Platz.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Image credit: \u00a9 Monty Richthofen, \u2018HARD 2 4GET\u2019, 2026. Photo: Lukas St\u00e4dler. Courtesy <\/span><\/i><span style=\"font-weight: 400;\">Dittrich &amp; Schlechtreim<\/span><i><span style=\"font-weight: 400;\">, Berlin.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Returning for its 22nd edition, from May 1\u20133, 2026, Gallery Weekend Berlin 2026 is bringing the work of artists from around the world to the German capital once more, with 50 galleries presenting more than 80 artistic positions across 63 [...]","protected":false},"author":1470,"featured_media":452199,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"","_twitter_share_type":"","_linkedin_share_type":"","_pinterest_share_type":"","_linkedin_share_type_page":"","_instagram_share_type":"","_medium_share_type":"","_threads_share_type":"","_google_business_share_type":"","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[65,878],"tags":[],"season":[],"class_list":["post-369865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.7 (Yoast SEO v27.0) - 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