{"id":368656,"date":"2025-08-18T15:03:41","date_gmt":"2025-08-18T13:03:41","guid":{"rendered":"https:\/\/germany.10magazine.com\/?p=368656"},"modified":"2025-08-19T15:16:35","modified_gmt":"2025-08-19T13:16:35","slug":"what-to-see-at-berlin-atonal-2025","status":"publish","type":"post","link":"https:\/\/germany.10magazine.com\/en_gb\/what-to-see-at-berlin-atonal-2025\/","title":{"rendered":"What to see at Berlin Atonal 2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400\">The 2025 iteration of music-first festival <\/span><a href=\"https:\/\/berlin-atonal.com\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Berlin Atonal<\/span><\/a><span style=\"font-weight: 400\"> marks its first following its official inclusion in the International Biennial Association \u2014 long-earned recognition of its status as one of the world\u2019s most significant platforms for the presentation of experimental, interdisciplinary and non-commercial art and music. Inaugurated in 1982, the festival initially ceased its operations in 1990, but was revived in 2013. Since then, this uniquely curated showcase of sonic diversity and exploration has found its home within the hauntingly vast walls of the former industrial complex now known as <\/span><a href=\"https:\/\/kraftwerkberlin.de\/en\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400\">Kraftwerk<\/span><\/a><span style=\"font-weight: 400\">; a fitting setting for the festival\u2019s atypical offering, which brings together innovators, leaders and underground names from across electronic, avant-garde and rock music.<\/span><\/p>\n<p><span style=\"font-weight: 400\">This year, Berlin Atonal will present a five-day programme of new commissions, premieres, installations and club nights, with the objective to \u201cmobilise artistic risk in order to initiate new modes of listening, gathering, and sense-making\u201d. <\/span><span style=\"font-weight: 400\">We\u2019ve collated some of our must-sees.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2025\/08\/BA23_RA_Berlin_Atonal_23_day-2_Shackleton_\u00a9\ufe0fJoanna-Chwilkowska-@asidron-07.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p style=\"text-align: center\"><em>Image credit: Joanna Chwilkowska<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400\">The majority of the festival\u2019s music programme will take place on the sprawling main stage, including a performance from a new trio made up of noise legend Merzbow, Igor Cavalera of Sepultura and Eraldo Bernocchi. There will also be a major new live work titled \u2018S.L.O.T.H.\u2019, by \u201cperformance-enhanced culture jammers\u201d Amnesia Scanner and artist and hacker Freeka.tet.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Known for his emotionally candid and sonically complex work spanning jazz, ambient, techno and modern classical, Djrum \u2014 the alias of British producer and musician Felix Manuel \u2014 will showcase a new sculptural and improvised performance. Meanwhile, festival-goers will also be invited to experience new audio-visual performance \u2018Reign\u2019, from Kenyan artist Lord Spikeheart and visual collaborator NMR, \u201cdrawing on the history and aftershocks of the Mau Mau Rebellion against British colonial rule\u201d.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1800\" height=\"1193\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2025\/08\/BA23_RA_8820001_BA23-by-Frankie-Casillo_17.9.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p style=\"text-align: center\"><em>Image credit: Frankie Casillo<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400\">Berlin Atonal 2025\u2019s much-anticipated art programme is titled <\/span><i><span style=\"font-weight: 400\">Third Surface<\/span><\/i><span style=\"font-weight: 400\"> and follows on from the festival\u2019s previous <\/span><i><span style=\"font-weight: 400\">Metabolic Rift<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">Universal Metabolism<\/span><\/i><span style=\"font-weight: 400\"> exhibitions. The hybrid exhibition will be embedded within this year\u2019s event and has been inspired by the \u201cspirit of late-night venues from Weimar Berlin \u2014 spaces where the trauma of war and the shadow of fascism collided with the desire to gather, speak, and stay awake\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Expect to see a new sculptural performance by Danish artist Kristoffer Akselbo, work by Italian artist Roberto Cuoghi, a new installation by Polish artist Joanna Rajkowska \u2014 known for her incisive interventions into public space and collective memory \u2014 and an installation from Norwegian artist Steinar Haga Kristensen, whose practice spans painting, sculpture, performance and architectural intervention as he interrogates the \u201cunstable dynamics of image, authorship and recognition\u201d. Among those creating the live music for the space are DJ E, Moin, John T. Gast and YHWH Nailgun.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2025\/08\/BA23_Berlin_Atonal_23_day-8_Maria-W-Horn_\u00a9\ufe0fHelge-Mundt-@studiomundt-9.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p style=\"text-align: center\"><em>Image credit: Helge Mundt<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400\">Art and music lovers alike will have the opportunity to immerse themselves in conceptual sound at <a href=\"https:\/\/www.instagram.com\/pan__hq\/\" target=\"_blank\" rel=\"noopener\">PAN<\/a>\u2019s listening room, in the Kraftwerk control room. Look forward to selections from Entopia, an offshoot series \u201cdedicated to expanding the function and form of the soundtrack\u201d. Each evening of the festival will be dedicated to a work from the series, including the soundtrack to artist Cyprien Gaillard\u2019s work \u2018Retinal Rivalry\u2019, Jenna Sutela\u2019s \u2018Pond Brain\u2019, Anne Imhof\u2019s \u2018WYWG\u2019, Mohamed Bourouissa\u2019s \u2018Lila\u2019 and Jeremy Shaw\u2019s \u2018Phase Shifting Index\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400\">Across the three club floors of Tresor, Globus and OHM, an expansive programme of DJ sets will take audiences on numerous journeys, exploring \u201cgenre, geography and generations\u201d.\u00a0 Selectors will include Lil Mofo, livwutang, Still and TNTC, billed alongside scene-defining figures such as Rrose, Pinch and Calibre. There will also be must-see back-to-back sessions, including: Vlada with Skee Mask, re:ni with Mia Koden, Moritz von Oswald b2b Azu Tiwaline and a rare triple B2B from Anthony Linell, DJ Red and Neel.<\/span><\/p>\n<p><a href=\"https:\/\/berlin-atonal.com\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400\">Berlin Atonal<\/span><\/i><\/a><i><span style=\"font-weight: 400\"> 2025 will take place 27 &#8211; 31 August 2025 and <\/span><\/i><a href=\"https:\/\/ra.co\/events\/2103534\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400\">tickets<\/span><\/i><\/a><i><span style=\"font-weight: 400\"> are available now.<\/span><\/i><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>It\u2019s a slow Sunday morning in the German capital. The sunlight falls across the white kitchen table in my Berlin studio, a rare moment of warmth in our typically harsh winter. I\u2019m preparing to speak to the Austrian chanteuse and dear friend, Sofie Royer.<\/p>\n<p>A few minutes before our scheduled call, she messages me, apologising for the fact that she\u2019ll be ten minutes late. I respond with, \u201cDas geht sich aus\u201d \u2013 a small but satisfying moment of Austrian connection between us both. \u2018Young-Girl Illusion\u2019 \u2013 a track from her latest album, Young-Girl Forever \u2013 plays in the background, making the studio feel even cosier when she eventually calls.<\/p>\n","protected":false},"author":1470,"featured_media":412672,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":null,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"","_google_business_share_type":"","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[65,878],"tags":[497,1072,1103,287,515,622],"season":[],"class_list":["post-368656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-culture","tag-497","tag-berlin","tag-berlin-atonal","tag-electronic-music","tag-festival","tag-music"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.7 (Yoast SEO v27.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>What to see at Berlin Atonal 2025 - 10 Magazine Germany<\/title>\n<meta name=\"description\" content=\"The 2025 of music-first festival Berlin Atonal marks its first following its official inclusion in the International Biennial Association \u2014 long-earned recognition of its status as one of the world\u2019s most significant platforms for the presentation of experimental, interdisciplinary and non-commercial art and music. Inaugurated in 1982, the festival initially ceased its operations in 1990, but was revived in 2013. Since then, this uniquely curated showcase of sonic diversity and exploration has found its home within the hauntingly vast walls of the former industrial complex now known as Kraftwerk; a fitting setting for the festival\u2019s atypical offering, which brings together innovators, leaders and underground names from across electronic, avant-garde and rock music.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/germany.10magazine.com\/en_gb\/what-to-see-at-berlin-atonal-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What to see at Berlin Atonal 2025\" \/>\n<meta property=\"og:description\" content=\"The 2025 of music-first festival Berlin Atonal marks its first following its official inclusion in the International Biennial Association \u2014 long-earned recognition of its status as one of the world\u2019s most significant platforms for the presentation of experimental, interdisciplinary and non-commercial art and music. Inaugurated in 1982, the festival initially ceased its operations in 1990, but was revived in 2013. Since then, this uniquely curated showcase of sonic diversity and exploration has found its home within the hauntingly vast walls of the former industrial complex now known as Kraftwerk; a fitting setting for the festival\u2019s atypical offering, which brings together innovators, leaders and underground names from across electronic, avant-garde and rock music.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/germany.10magazine.com\/en_gb\/what-to-see-at-berlin-atonal-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"10 Magazine Germany\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-18T13:03:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-19T13:16:35+00:00\" \/>\n<meta name=\"author\" content=\"Milly Burroughs\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Milly Burroughs\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/germany.10magazine.com\/de\/what-to-see-at-berlin-atonal-2025\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/germany.10magazine.com\/de\/what-to-see-at-berlin-atonal-2025\/\"},\"author\":{\"name\":\"Milly Burroughs\",\"@id\":\"https:\/\/germany.10magazine.com\/en_gb\/#\/schema\/person\/306fed858e8a503a59c2b80f2efcfdc6\"},\"headline\":\"What to see at Berlin Atonal 2025\",\"datePublished\":\"2025-08-18T13:03:41+00:00\",\"dateModified\":\"2025-08-19T13:16:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/germany.10magazine.com\/de\/what-to-see-at-berlin-atonal-2025\/\"},\"wordCount\":749,\"image\":{\"@id\":\"https:\/\/germany.10magazine.com\/de\/what-to-see-at-berlin-atonal-2025\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2025\/08\/BA23_Berlin_Atonal_23_day-8_Maria-W-Horn_\u00a9\ufe0fHelge-Mundt-@studiomundt-9.jpg\",\"keywords\":[\"2025\",\"berlin\",\"Berlin Atonal\",\"electronic music\",\"festival\",\"music\"],\"articleSection\":[\"Arts\",\"Culture\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/germany.10magazine.com\/de\/what-to-see-at-berlin-atonal-2025\/\",\"url\":\"https:\/\/germany.10magazine.com\/de\/what-to-see-at-berlin-atonal-2025\/\",\"name\":\"What to see at Berlin Atonal 2025 - 10 Magazine Germany\",\"isPartOf\":{\"@id\":\"https:\/\/germany.10magazine.com\/en_gb\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/germany.10magazine.com\/de\/what-to-see-at-berlin-atonal-2025\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/germany.10magazine.com\/de\/what-to-see-at-berlin-atonal-2025\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/germany.10magazine.com\/wp-content\/uploads\/2025\/08\/BA23_Berlin_Atonal_23_day-8_Maria-W-Horn_\u00a9\ufe0fHelge-Mundt-@studiomundt-9.jpg\",\"datePublished\":\"2025-08-18T13:03:41+00:00\",\"dateModified\":\"2025-08-19T13:16:35+00:00\",\"author\":{\"@id\":\"https:\/\/germany.10magazine.com\/en_gb\/#\/schema\/person\/306fed858e8a503a59c2b80f2efcfdc6\"},\"description\":\"The 2025 of music-first festival Berlin Atonal marks its first following its official inclusion in the International Biennial Association \u2014 long-earned recognition of its status as one of the world\u2019s most significant platforms for the presentation of experimental, interdisciplinary and non-commercial art and music. 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Inaugurated in 1982, the festival initially ceased its operations in 1990, but was revived in 2013. 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