{"id":369910,"date":"2026-05-10T11:37:21","date_gmt":"2026-05-10T09:37:21","guid":{"rendered":"https:\/\/germany.10magazine.com\/?p=369910"},"modified":"2026-05-10T11:37:21","modified_gmt":"2026-05-10T09:37:21","slug":"haunting-imagery-fotografia-europeas-21st-edition-explores-ghosts-of-the-moment","status":"publish","type":"post","link":"https:\/\/germany.10magazine.com\/en_gb\/haunting-imagery-fotografia-europeas-21st-edition-explores-ghosts-of-the-moment\/","title":{"rendered":"Haunting Imagery: Fotografia Europea’s 21st edition explores ‘Ghosts of the moment’"},"content":{"rendered":"
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Fotografia Europea has opened in Reggio Emilia in Italy. Curated by Arianna Catania, Tim Clark, Luce Lebart, and Walter Guadagnini, the 21st edition of the international photography festival, explores the theme \u2018ghosts of the moment\u2019 – studying the seen and the invisible, questioning what was and what could be after figures, events or images appear to have withdrawn.<\/span><\/p>\n

The festival sprawls across the city and brings together major names, younger voices, civic venues and independent publishing together <\/span>for a rich<\/span> program comprising 15 exhibitions, events, conferences, screenings, workshops, portfolio reviews and site specific performances.<\/span><\/p>\n

From the main exhibitions at Chiostri di San Pietro and Palazzo da Mosto, to premier solo offerings and activations,<\/span> artists throughout explored notions of how facts survive. Can the inside of a home contain sorrow, or an electronic device convert fear into routine? Can an absent frontier still command a story, or can a salvaged object restore a sense of dignity? These eerie constructs aren\u2019t Halloween ghouls, but instead, traces and records that haunt the present. Here are our five festival highlights not to be missed\u2026<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Felipe Romero Beltr\u00e1n, Bravo, Rub\u00e9n, Mexico, 2025 \u00a9 Felipe Romero Beltr\u00e1n <\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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BRAVO<\/strong><\/p>\n

At Chiostri di San Pietro,\u00a0 Colombian artist Felipe Romero Beltr\u00e1n\u2019s <\/span>Bravo<\/span><\/i>\u00a0 concentrates on a 270-kilometre stretch of the R\u00edo Bravo river, <\/span>a<\/span> natural borderline between the USA and Mexico, although its waters rarely occupy the artist\u2019s frame. <\/span>It\u2019s this <\/span>precise absence that creates tension prevalent in the work<\/span>, as the river becomes a silent actor shaping the lives of those who interact with it. <\/span>On wooden and metal structures, portraits face sparse domestic scenes and rough terrain. A mattress, speaker or painted table carries as much weight as a body. The sequence advances through <\/span>Endings, Bodies<\/span><\/i> and <\/span>Breaches<\/span><\/i>, showing migration under waiting and control. Beltr\u00e1n refuses easy drama. His compositions are calm, but never neutral. <\/span>El Cruce<\/span><\/i>, the video work nearby, brings baptism and fishing back to the river via testimony, where survival meets border violence with stark formal force and restraint.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Mohamed Hassan, Our Hidden Room, untitled, Alexandria Egypt, 2023 \u00a9 Mohamed Hassan<\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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OUR HIDDEN ROOM<\/b><\/p>\n

Mohamed Hassan\u2019s <\/span>Our Hidden Room,<\/span><\/i> also in the same location, shifts the mood inward. The Wales-based, Egyptian photographer, tells the deeply personal, yet fragmented story of his relationship with his father, who had a deep love of photography, but who also battled mental illness. The work is arranged in six chapters, mixing pictures with plain, painful narration. At its core is a small dark chamber in the family\u2019s Egypt home. For Hassans\u2019 father, living with bipolar disorder and without support, that tiny space became both shelter and prison. But the artist does not turn his father\u2019s struggle into spectacle. Instead, he highlights <\/span>the stigma surrounding mental illness (which ultimately led to his suicide) and balances the complexities of the emotions surrounding this act, with love. <\/span>Photographs from his father\u2019s difficult childhood in Alexandria and Cairo sit beside those of his military service, where he found photography and some form of refuge from his illness. For Hassan, a large piece of his life that could have remained private, destined to become a sadness inherited by future generations, instead becomes a careful act of witness. The artist\u2019s grief is present, but tenderness is felt in every image.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Sara Bezov\u0161ek, SND series, 2020-ongoing, Courtesy of the artist<\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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GHOSTLAND<\/b><\/p>\n

At Palazzo da Mosto,\u00a0 the group exhibition <\/span>Ghostland<\/span><\/i> casts the screen as a haunted zone. Its premise maps how online systems steer anxiety and focus. Sara Bezov\u0161ek\u2019s multimedia installation <\/span>SND<\/span><\/i> was its strongest point, with the Slovenian artist inviting viewers to navigate an interactive website where possible futures unfold like disaster cinema. Its vocabulary derives from the internet, ranging from memes and emoticons to found fragments. No element suggests fiction or fabrication, so the threat feels real. Apocalypses stand next to artificial paradises. Climate panic mutates into alien invasion. The flow captures \u2018doomscrolling\u2019 with cruel accuracy. We keep reading bad news, even though we know it causes us harm. Bezov\u0161ek translates that reflex into wallpaper, clips and sculptures, lending the feed a physical charge. It\u2019s this humour that makes the viewer\u2019s dread harder to shake. <\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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\u00a9 Karim El Maktafi, ZONA Archivio del mare<\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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VOICES<\/b><\/p>\n

At Palazzo dei Musei, the Luigi Ghirri Award finalists seamlessly shift the festival\u2019s theme to another register. Under the theme <\/span>Voices, <\/span><\/i>the five emerging Italian talents explore what photography can carry when speech is missing. The Italian-Moroccan photographer Karim El Maktafi\u2019s ongoing <\/span>Archivio del Mare is <\/span><\/i>\u00a0perhaps the most poignant offering of them all. Set against public fatigue around migration, his imagery focuses on objects recovered from Mediterranean shipwrecks, examining items belonging to people who crossed the sea with little more than what could be held. Under his lens a shoe or document functions as evidence of a life cut short, or left unknown. Through these personal possessions El Maktafi creates a sobering memorial, an archive built from a quiet care.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Nday\u00e9 Kouagou, Heaven\u2019s truth, 2026 \u00a9\u00a0Nday\u00e9 Kouagou<\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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HEAVEN<\/b>\u2019<\/span>S TRUTH<\/b><\/p>\n

Collezione Maramotti offered a valuable detour from the main circuit with <\/span>Heaven<\/span><\/i>\u2019<\/span>s Truth<\/span><\/i>, Nday\u00e9 Kouagou\u2019s first solo exhibition in Italy. The Paris-based artist links performance and visual art, with language as its unifying thread. <\/span>Bringing together recent works and new commissions, the<\/span> offering extends over several rooms, inspired by the fotoromanzo (an Italian photo-comic format) and unfolds across video, three-dimensional cutouts, wall pieces and text works. <\/span>The artist\u2019s aim throughout is to probe the instability of meaning, albeit through wit and entertainment. <\/span>Four manga-infused characters: Pudding, PimPim, Pudha and Pochi (long-term elements of Kouagou\u2019s practice) appear in the first room and weave a thread through the spaces.<\/span> Wandering through, <\/span>messages as moving images confront the viewer, commanding attention, before slipping away, creating a sense of <\/span>disorientation. <\/span>Posed questions for a fictitious news broadcast at first sound casual, before descending into discomfort.The tone is playful, yet its meaning far from light. And amongst the majority of image-led exhibitions, the work of this language-based artist feels incredibly vital.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Text NIKOLAS VAMVOUKLIS<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Fotografia Europea 2026 is on view across several venues in Reggio Emilia until 14 June 2026. <\/b><\/em><\/p>\n

fotografiaeuropea.it<\/b><\/a><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Fotografia Europea has opened in Reggio Emilia in Italy. Curated by Arianna Catania, Tim Clark, Luce Lebart, and Walter Guadagnini, the 21st edition of the international photography festival, explores the theme \u2018ghosts of the moment\u2019 - studying the seen and [...]","protected":false},"author":2201,"featured_media":453044,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"","_twitter_share_type":"","_linkedin_share_type":"","_pinterest_share_type":"","_linkedin_share_type_page":"","_instagram_share_type":"","_medium_share_type":"","_threads_share_type":"","_google_business_share_type":"","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[65,878],"tags":[],"season":[],"class_list":["post-369910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-culture"],"acf":[],"yoast_head":"\nHaunting Imagery: Fotografia Europea's 21st edition explores 'Ghosts of the moment' - 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